Looking at Lewis Hine’s photographic chronicles of working children in the United States (see video above) gives me a particularly conflicting feeling. While his pictures provide a surprisingly sensitive, personal, and even sweet approximation to the life and plights of the children he snapped, I cannot help but feel discomforted by the reality he is portraying. Personally, I think that my discomfort when looking at these pictures lies in the tension between, on the one hand, the moral reflexes that inevitably pop-up, telling me how wrong the condition of these children is; and, on the other hand, the sensation that many of these children seem absolutely comfortable and at ease (maybe even happy?) with their working life.

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